Mallory Koenigseder

Since this was an adaptation of Medea done by our director things were changing very often. I was very diligent in communicating script changes in the rehearsal report and call sheets so everyone knew each change. I would also send a new version of the script each week. This production was done in a smaller blackbox space and I worked closely with house management to make sure the friends and families of the performers could reserve seats since they were limited. This experience was all about creative problem solving with more limited resources and I was able to help create different paperwork to help the cast stay on track since they were doing most scenic transitions.